Due to the similarity of Bhunivelze's two faces to the visages of Pulse and Lindzei in Lightning Returns: Final Fantasy XIII, it is possible they were molded in his image, and thus also represent the duality present in Bhunivelze.īow thy head and open your heart to the benediction of God's light! Drink in the light and cleanse your soul. Unlike the official art, in-game Bhunivelze's scythe bears the likeness of Pulse on the top with Lindzei on the bottom. Despite his metallic appearance he sheds tears during his breakdown.īhunivelze wields the Double Deity, a twin-bladed scythe with a monstrous face representing Pulse at one end and an angelic face representing Lindzei at the other. He has a second, more demented face on the back of his head and thus can twist his body to assume a bird-like perch with the scythe configured into talon-like projections. His name, as well as the symbol also used by the Secutors of the Order of Salvation, are engraved on the horns. In his official render Bhunivelze has a white sclera, but in-game it is black. The wings are juxtaposed by horns and an ornate crown-like adornment hovers between them. According to a Datalog entry his true form is "an inexhaustible crystal".īhunivelze's physical form is that of a metallic humanoid with androgynous facial features, azure eyes set against a white mask-like veneer with gold inlay with a fleur-de-lis-like adornment on his chin, purple robes, and four pairs of angelic wings. The symbol representing him in the mythology video * (Square Enix 1st Production Department Premiere event in 2011 ) resembles an eye and is alluded to in the form Bhunivelze first uses to communicate with Lightning in Lightning Returns: Final Fantasy XIII. Bhunivelze in crystal sleep as depicted in the video shown at Square Enix 1st Production Department Premiere event in 2011.īhunivelze was never seen in person before Lightning Returns: Final Fantasy XIII, and like the other gods in the Fabula Nova Crystallis: Final Fantasy mythos, was initially never given a specific form.
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